墨尔本的步道桥和地形改造/SMLWRLD事务所

发布于：2023-05-18 12:07:54

Melbourne step bridge and terraforming

设计方：SMLWRLD事务所

位置：澳大利亚墨尔本

分类：道路

内容：实景照片

图片来源：Peter Bennetts

图片：5张

SMLWRLD事务所在墨尔本南部建设了两个项目，其中一个是一座新建的混泥土桥，另一个小项目是隐藏在大的景观中的地形改造。第一个项目是从改造小溪边的地形开始，希望在这里建立一个弧线形的步道。设计师主要利用了混泥土材料建造步道，并且利用七种材质增加墙体表面的丰富性，每种表层都反映了自然进化的一种过程。SMLWRLD事务所与客户充分合作，不断检验用材的合理性。利用电脑来设计特殊的墙体花纹。第二个项目是Zoetrope步道桥，这座桥横跨小溪，连接了自然小溪和海边的地形，模糊了自然和城市的场地边界。管状的不锈钢金属行程了栏杆和座椅，在视觉上美化了这座桥。在两个项目中，光线都起到了十分重要的作用，随着太阳的移动，光线在场地中也呈现出不同的效果。SMLWRLD对材料的选择反映出他们对场地现状和潜能的了解。事务所希望能够综合场地的社会、城市和自然要素。

译者：Jevin

Two projects by studio SMLWRLD in Melbourne’s south – a bridge and a fabricated concrete creek edge – reveal the benefits of collaborative work.This is the story of two projects – one so subtle it almost hides within the larger landscape and the other the dramatic transformation of a recently built concrete bridge. Both projects are in Frankston, a bayside suburb south of Melbourne, and they are by a small collaborative artist-and-architect team who style themselves as SMLWRLD. The SMLWRLD studio comprises artist Bianca Looney and architect Lucas Chirnside.

The site for both projects is Frankston’s Kananook Creek Boulevard, a canal-side walkway which the council is working to enhance. Kananook Creek sits between the beach and the Nepean Highway, which runs through Frankston and the creek is oddly separated from the sea by a row of houses and from the highway by blocks of ageing commercial development, which use the creek edge for car parking. So it is a potential gem encumbered by built form problems, which might well take decades to change.

The terrain generator provides an intricate series of alternative walks along the creek edge. Image:  Peter BennettsBut a start was made when Land Design Partnership was commissioned to design a portion of the creek edge between Zoetrope Bridge at Davey Street and Wells Street. This was designed to offer an intricate series of alternative walks along the creek and each curved walk was defined by low concrete walls, five in all. SMLWRLD was brought in to embellish those 144 metres of concrete – to develop a design to face the concrete and to oversee its fabrication and installation.SMLWRLD developed seven different surface tiles of increasing design complexity, which are reconfigured to present unique installations on each wall. There is a sense of fine layers emerging and disappearing as each of the configurations expresses different stages of a natural process, such as erosion, to tell a story over time.

The way SMLWRLD operates makes their work additionally interesting. They are intimately involved in testing their design with the material they are working with and with the practitioners of each material. So the collaborative nature of their practice involves working with the client, the place and the fabricators who understand the possibilities and the limits of the chosen material.

The unique relief pattern and fabrication method for the precast concrete walls were developed in collaboration with the pattern maker, Special Patterns, and the experimentation and implementation were undertaken in situ. Special Patterns did the computer work, known as CNC – computer numerically controlled routing – and Cut and Fill were the main contractors who cast the concrete.

The Zoetrope Bridge crosses the Kananook Creek and connects the beachside to the highway-side of Frankston. Image:  Peter BennettsThe Zoetrope Bridge, a shared pedestrian and vehicle bridge completed in March this year for $250,000, is the second Frankston project. A design construct contract resulted in a crass concrete bridge being built across Kananook Creek to improve vehicle access to the sailing and fishing facilities close to the beach. It was immediately understood that some joy had to be added to the bridge and SMLWRLD was brought in.

Bridges both connect and separate and SMLWRLD’s approach was to blur the transition as you cross the bridge, from the natural environment on the beach side to the urban environment of messy real estate and car parks. They decided to develop a sense of movement and flow by using rolled steel tubing as a cladding treatment attached to the side of the bridge.The tube ribbing is simultaneously balustrade, seating and sculptural intervention. A fruitful collaboration was developed with Uneek Bending and Fine Design Engineers in Bendigo and every curve and roll was tested.The result is a marvellous concoction of rolled steel, which visually rolls across the creek and turns a remarkably ugly substructure into a thing of beauty.

Rolled steel tubing, used as the bridge’s cladding, creates a sense of movement and flow. Image:  Peter BennettsLight plays an essential role in both projects. As the sun moves, the quality and intensity of light varies but it is an essential element in reading the materials and the surfaces. The walls along the creek edge are lit as the morning sun rises in the sky; it touches the face of the walls, and picks up the fine-grain texture and the geometry of the work. On the bridge, the morning light flashes off the water and animates the surfaces of the rolled steel tubing.

SMLWRLD’s material choices and processes reflect their understanding of both the location and the potential longevity of each project. The way the studio seeks to connect the site conditions – social, urban and natural – with the technologies of production is a really interesting process. In considering materiality, the questions of durability and vandalism are explored through innovative surface treatments that are integral rather than applied.These interventions have transformed a series of concrete walls and a crass concrete bridge into poetically engaging contributions to their sites. Frankston needs much more of this level of love and attention than it has historically received.