澳大利亚的海滨步道景观/Pod 景观事务所

发布于：2023-05-18 12:06:29

Australia's coastal footpath landscape

设计方：Pod 景观事务所

位置：澳大利亚

分类：道路

内容：实景照片

图片来源：Simon Wood

图片：6张

在多伦多的Regatta步道项目，综合了湖水、游泳池、步道座椅等等。建造了地形和石墙。游客可以在如此宽敞的环境下进行放送。场地的名称“上升的土地”充分反映了它的特征，Regatta的步道重新利用了砖块，整治了废弃的火车线路。这个项目主要是希望人们找到一个安静的场所进行休息，在公园的东部有许多细节设计和小的木条，石墙反映了一种动静结合的空间组合。在石墙的上方是三个建筑型景观要素，这种要素包括了纪念性的历史建筑，当代著名建筑等等。总的来说，这个项目提供了一个全新的视角去设计绿色空间。澳大利亚从中学会了城市化进程中的景观设计。

译者：Jevin

The Regatta Walk project at Toronto, New South Wales, is in Awabakal country, south of Newcastle on Lake Macquarie. Beside the lake swimming pool, the project includes a boardwalk and seating, footpaths, stairs and ramps, a native garden, a terrace and stone walls, and a large timber-framed roof that shades timber boxes containing a cafe, toilets and showers. Visitors can relax on the generous terrace between a massive wall and a grassed slope rolling up to the streets of Toronto.

A gentle grassy slope lies between the lake and the town centre. Image:  Simon WoodThe Indigenous place name for Toronto was Pondee – “overlooking view” – and the locality was named Derah-bambah – “rising ground.” These language relics catch the character of the site, looking north over Lake Macquarie to the low hills of Bolton Point and Croudace Bay and south-east to Belmont. Refreshingly joining landscape and architectural elements, Regatta Walk replaces a dour brick facility and wraps up the end of the foreshore reserve at a historic junction where the Fassifern rail line once terminated at a boatyard and jetty.

A collaboration by two Sydney practices, Pod Landscape Architecture and Day Bukh Architects for Lake Macquarie City Council, Regatta Walk is a remarkable synthesis of large-scale landscape strategies and small-scale buildings and shows the mutual benefits of landscape and architecture working together. Its success recalls architect David Leatherbarrow’s special coinage of topography, “the ways that two disciplines, landscape architecture and architecture, contribute to the formation of a single cultural framework, topography.”

This collaborative project’s strengths may lie in what it doesn’t do as much as in what it does. It doesn’t obstruct views, or “make a statement,” or block sky, streets and sightlines as too often happens along Australian foreshores. This finely elemental project invites people to a particular landscape and offers just enough architecture for visitors to use to enjoy the place. It organizes site, program and identity into a singular solution using both landscape and architecture knowledge.

The stone wall divides two separate levels and acts as the core of the project. Image:  Simon Wood At the eastern end of the levelled terrace, four effectively detailed and minimal timber boxes have roofs, gutters and downpipes located on and within their fabric. The stone wall has a presence emanating both gravity and gravitas, a landscape element that looks like it might become architecture if necessary. Its securing volume of stone and concrete, embodying hours of stonemasons’ care and labour, shelters visitors from sharp northeast breezes. Physically and metaphysically, this wall is more than a retaining structure between two levels: it anchors the whole scheme in place. Built with stone from a Seaham ballast quarry, it recalls Frank Lloyd Wright’s rubble walls at Taliesin West (1940), similarly both directing movement and creating stillness in landscape space. This big, clever wall, both landscape anchor and play structure, abstract and haptic, is a welcome core for the project.

Above the walls and boxes a monumental three-bay timber structure roofs the terrace and defines views. It sits high over two levels, holding diverse elements – walkways, stairs and floors, walls and boxes – in place beneath it. It is also a grand landscape frame, a filter of space between lake and town. Following the material logic of the adjacent jetties, constructed ingeniously of blackbutt and recycled ironbark, it lofts its cornice five metres above the terrace, giving shade and vast openness. Its sheer tallness brings sky, clouds and horizon into a visitor’s spatial experience as a lower structure could not.

This tall trabeated structure recalls memorable “architectural landscape” elements such as the Monument Hall at E. G. Asplund’s Holy Cross Chapel at Stockholm (1935) and Jørn Utzon’s western loggia for the Sydney Opera House. Both Asplund and Utzon informed their architecture with landscape knowledge and integrated fundamental natural elements – slope, horizon, sky – into their work. Similarly conceived between landscape and architecture, the Toronto roof offers shelter, frames views and mediates between the infinite beauty of limitless outdoor space and more contained and bounded inner conditions. The frame is tall enough to be seen through from the Toronto streets: it is a landscape element between terrace and sky, sun and shadow, shore and lake, town and horizon.

Once they have completed their evening laps, swimmers can use the showers beside the cafe. Image:  Simon Wood Overall, this project provides a finely considered place all too rare on Lake Macquarie – or anywhere in Australia – to quietly reorient beside the water, with restrained but concentrated architectural means and with significant clarity. It sets a standard and a precedent for how to think about locating people and building at the edge of land and water.The Regatta Walk project deserves commendation for holding its line, for shunning “interesting” effects (diagonals, slats, multiple axes) and for providing the essentials of terrace, roof and enclosure, while creating a significant edge to the shoreline and an elegant frame for the sky. Designers of waterfront projects around Australia stand to learn much about civility, manners and elegance from this finely finished, serious and satisfying work of landscape and architecture.