挪威Seljord湖

发布于：2023-05-17 13:45:09

Into The Landscape / RintalaEggertsson Architects

位置：挪威

分类：滨水

内容：实景照片

图片：28张

景观设计：RintalaEggertsson Architects
景观时间：2013
图片来源：Dag Jenssen

这是由RintalaEggertsson Architects设计的挪威Seljord湖景观。
在挪威，关于Seljord湖中海蛇的传说人尽皆知，这些神话已经成为泰勒马克郡的居民建造恢弘雄伟的景观的重要依据。在湖畔，这些神秘的故事已经流传了几百年，并且已经融入当地居民的生活之中。2008年，当地市政决定以这个古老的传说为出发点，开始新的小镇规划发展计划。
设计师与策划人一同制定了发展方案，重点改造湖边的观景点，以方便当地居民和游客接近水边。新项目包括2期工程，第一部分名为“走进风景”，是分别在湖中和东、南部安装3个小的人工；继而在靠近小镇的区域，建造一个较为主要的观景点。第二部分工程是更大规模的调整自然环境：在两棵高大的松树之间，建造一个充满自然风情的休息娱乐区。
因此，这项改造计划并非是旅程的终点，而是在已知的和未知的湖光山色中的休息点。

译者：温冷清秋

The myth about a sea serpent in the lake of Seljord has become an integral part of how the local people of Telemark conceive its majestic landscape. Tales about mysterious phenomena in the lake have flourished for centuries and are a natural part of the daily life in the area. In 2008, the municipality of Seljord decided to use this mythical feature as a point of departure for a development programme for the area.
Together with the curators Springer kulturstudio, they commissioned RintalaEggertsson Architects to design different lookout points around the laketo ease the access for local population and visitors to experience the lake at some important places. The assignment was divided into two parts; first to design three small installations in the mid- and southeast section of the lake and then to design a main viewpoint in the southwest end of the lake, close to the small town of Seljord.
The first part was organized as a building workshop with art- and architecture students and teachers from NuovaAccademia di Belle Arte and Politecnico in Milan and scenography students from the Norwegian Theatre Academy under our leadership. The whole workshop was thematically focused on the issue of anchoring man-made installations to characteristic features in the landscape without dominating them. The three installations are presented on our website under the title “Into the Landscape”.
In this second part we found ourselves dealing with anchoring again, not only because of the stunning beauty of the chosen site, but also due to the framework of the task which was all about mediating natural phenomena to a larger public. This time we were faced with a site with two pine trees with large canopies creating a natural place for rest and recreation.
The viewpoint becomes thus not the final destination, just a resting point between the landscapes of the known and the unknown.