美国纽约3D雕塑

发布于：2023-05-15 22:51:06

Massive 3D-Modeled Sculptures Rise Over Columbus Circle (PHOTOS)

位置：美国

分类：园林小品

内容：实景照片

图片：9张

景观设计： Michael Rees and Richard Dupont
景观时间：2013
图片来源：Lori Zimmer

这是由艺术家Michael Rees和 Richard Dupont设计的美国纽约3D雕塑。高耸于曼哈顿的哥伦布环，与以往的街头雕塑不同在于，它们是由3D打印机制成的艺术作品。
这些3D雕塑皆由艺术与设计博物馆赞助，这些作品旨在向世人展示：科技如何影响了艺术家，艺术世界以及艺术作品的生产方式。
Rees的雕塑名为“Converge: Ghraib Bag”（汇聚，格莱布袋），该作品是呈现了人类肢体聚合的形态。该作品不同于传统的大理石雕塑，需要艺术家对其精雕细琢；这件作品完全是由艺术家利用电脑建立模型，随后由打印打印出的塑料制品。
Dupont的作品名为“Going Around by Passing Through”（绕来绕去），是一个巨大的变形的脸，其实是艺术家本人脸部的数字扫描，然后进行扭曲、折叠而制成。

译者：温冷清秋

Two towering sculptures recently went up at Columbus Circle, but what most passersby don't realize is that they aren’t just ordinary pieces of art. Created for the Museum of Arts and Design's “Out of Hand: Materializing the Postdigital” exhibition, the works by artists Michael Rees and Richard Dupont are examples of artwork made using 3D technology. The statues offer a teaser of the 3D-printed and 3D-scanned pieces on display inside the museum.
For the exhibition, curator Ron Labaco pulled together a collection of 150 works by artists who use 3D technology in their production or design, including Rees and Dupont, who also have pieces inside the museum. The works show how technology has influenced the art world and art production, introducing technology alongside the artist’s hand.
Rees’ sculpture, which is entitled “Converge: Ghraib Bag,” sits across Broadway in a pedestrian plaza. The 16-foot piece, which is a cluster of wrestling figures, was created entirely in a 3D modeling program, then milled by a machine. Rather than the historic tradition of an artist carving a sculpture from a block of marble, Rees’ piece takes the modern approach, using a machine to carve a sculpture from a cube of plastic, before adding the artist’s hand finish touches.
Dupont’s “Going Around by Passing Through” appears as an oversized, deflated face, placed right in front of the museum’s entrance. The 15-foot-tall piece is actually a digitally-scanned portrait of Dupont himself, which was then contorted and manipulated before being printed.
The public is welcome to contemplate, touch, and photograph the works, which are also accompanied by QR codes to scan for more information, including an animation by Rees.