法国Charance露台花园/Atelier des Paysages Bruel-Delmar

发布于：2023-05-15 00:26:39

Charance Terrace Garden by Atelier des Paysages Bruel-Delmar

设计方：Atelier des Paysages Bruel-Delmar

位置：法国

分类：花园

内容：实景照片

图片：19张

Charance法式城堡坐落于Gap山谷的一侧，其是划分树林和绿地的分水岭。城堡外围的城墙沿着下坡顺势而下围拢起来，自然而然的形成了一个花园。依靠其先天的梯田地理优势，该处的水资源极其丰富。因此Gap市政会想要恢复此处的花园，并作为阿尔卑斯山的种植温室来培育玫瑰。
梯田和景观中水资源优势，给设计者指出了两个准则：
一、为了让水能够自然的沿着梯田顺势而下进行灌注，同时还要展现出树林和绿地区域的自然过渡，方案要在梯田周边种植冬青树，瑞香等植被。
二、在不同的阶梯上要种植不同种类的玫瑰。
项目的主要方向分为三点
一、要符合建筑学要求，找出城堡的中轴线，再按照自身的地理地貌情况设计其他的基础设施。
二、找到水的来源，从而根据水源设计具体的灌溉路线。
三、将与城堡在同一垂直线上的梯田规划入项目之中，在这些梯田内种植相应的植被。

景观面积：9 000 m²
景观时间：2000
图片来源：Atelier de Paysages Bruel-Delmar

译者：饭团小组

The château of Charance has settled on a balcony over the Gap valley. Its territory forms the watershed between the beech grove and the meadow. The retaining walls reveal the slope and form the structure of the garden. Water is present and directly linked to the topography, strengthening the identity of the place. Gap town council wanted to restore a garden in terraces to this site, allowing it to show off a part of the rose collections of the Alpine Botanical Conservatory.
The exceptional geography and the memory of places expressed by the structures linked to the terraces and the use of water in the landscape led us to define two guiding lines:
To express the transition between the beech grove and the meadow by using the vegetation traditionally linked to beeches (holly, box, daphnes) on the successive terraces from the tree-planted strata to the herbaceous one, and to strengthen the vocabulary linked to the water and the topography.
To present the collection of roses by offering different flower shapes organized by terrace.
The project is thus built on three main axes:
The first one is architectural, and found in the axis of the château and intersects the railings and the staircases. The walls perpendicular to the slope also have a bearing on this order. They maintain the idea of enclosure.
The axes of the water, real or virtual, express the possible uses and the link with the topography. In the centre, the springs are retained along with their rockeries. Along the edges, the row of the old mills is expressed by clipped clumps of beech.
The axis of the terraces perpendicular to the axis of the château, reveals the slope. This skeleton is emphasized by a course of parallel lines. The walls are counter-planted with trained plants.
Bringing together the spontaneous vegetation arranged on terraces and botanical roses, this garden offers a contemporary reading of the idea of a collection reconstructed in the identity of a territory.