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恒山寺游客中心/Latitude Studio工作室

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设计方:Latitude Studio工作室与BIAD合作设计
位置:山西 大同
分类:娱乐建筑
内容:设计方案
图片:15张


随着中国的快速发展,对建筑的新需求也在不断出现。这个项目远离普通的城市图景,它需要我们考虑如何在一个历史性的乡村环境内建造建筑。

这个政府性项目的目的是为了更好地推动当地旅游业的发展,恒山寺是一个始于魏朝(386-534 AD)的古建筑。寺庙附近是一个大坝,它也将在未来作为水上娱乐设施,以推广旅游事业。

在这样的情况下,建筑的目的就集中在了如何利用大坝高低之间的距离。这一特点使我们把最基本的一个元素,即楼梯,演化成一种最具潜力的建筑语言,使之形成一个垂直的人行道。

这个垂直人行道并不是周围景色的复制品,它打破固有景观建筑的思维模式,营造出创新实用的结构。它找寻的是一种新的方式方法,这种方法拉近了建筑与当地文化遗产之间的联系。

As fast as China develops new requirements for Architecture displayed. Far away of the quotidian urban scenario, this enterprise requires the knowledge of how to operate in a historic-rural area.

The aim of this municipal action is to promote tourism in an ancestral scenario; particularly, one which is characterized by the existence of the Hengshan temple, a monument of the Wei Dynasty (386-534 AD). There is also a dam next by which is going to be used in order to promote its use as an aquatic recreation.

In this scenario, the architectural purpose is focused on how to utilize the distance between the lowest elevation of the dam and the highest. The focus on this characteristic creates the possibility of taking the full potential of what it would be otherwise a basic element –a stair- and make it an architectural excuse to create a vertical promenade.

This promenade is materialized away from picturesqueness that would be created in the misunderstanding of this characteristic enterprise. It is looked for a new different model of approach; one which is closer to the ancestral sense of the local heritage than the literal reproduction of the local forms.


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