巴西美术馆附属楼/KipnisArquitetosAssociados

发布于：2023-07-30 20:43:01

英文名称：Brazil Museum of Art annex

工程内容：实景照片

位置：巴西

设计公司：KipnisArquitetosAssociados, Fernando Millan

摄影师：Pedro Vannucchi

这是由KipnisArquitetosAssociados与Fernando Millan联合设计的米兰美术馆附属楼。该项目为米兰美术馆提供了新的展览空间，位于巴西圣保罗的Vila Madalena小区，距1994年落成的原址50米。尽管建筑师考虑了“观赏”艺术品时的视觉干扰和噪音干扰，但没有空间是中性的，建筑均有其角色。预留建筑被局部利用。位于后方的条状小屋被保留，并辅以与旧工作坊风格截然不同的另一个功能用房。这座房间，内部为双层通高，通过一条走廊与人行道相连接，并可通往场地尽端。

From the architect. The Milan Gallery Annex emerged from the need for a new exhibition space for the Millan Gallery. Located in the neighborhood Vila Madalena, in São Paulo, it is 50 meters from the original site, built in 1994. The development of the project took place around the (re) affirmation that a dialogue between the architecture of the exhibition space and the artwork should be estimulated. Although concerned with visual interferences (noises) at the moment of "reading" the artwork, we understand that there is no space neutrality; architecture has its role.

The pre-existing building was partially used; the linear shed located in the background was preserved and complemented by a second room with characteristics totally different from the old workshop. This room, with double internal height, connects to the shed by a corridor perpendicular to the sidewalk that goes to the end of the plot. It is from this axis that the facilities of the building were distributed: reception/administration; toilets; kitchen; deck, and an apartment for the visiting artist. This was organized in a third block, 02 floors high, where the air conditioning equipment and water tanks were also placed.Circulation, which happens along this axis, creates surprises for those who enter, allowing different routes through the gallery. An apartment designed for the "visiting artist" can be accessed by a staircase located in the entrance hall, with no need to enter the gallery, allowing autonomy of its use during the periods of operation of the exhibition area.

The lighting solution is an integral part of the spaces. It integrates natural and artificial light, bringing uniformity to the interior and versatility for exhibits. The structural system adopted is formed by metallic ports, which structure the new areas and reinforce the shed. All environments are therefore prepared to receive artworks of various weights and dimensions.Six large doors were installed on the facade of the building, which when open, break the boundaries between the building and the outside area. The existing frontal recess was also transformed into an exhibition space, intensifying the relationship between the building and its surroundings, integrating the movement of the sidewalk with that of the gallery. An invitation for the pedestrian to visit the place. Throughout the 400 m² built, environments were created that, with such formal diversity that they provide the dialogue between architecture and artwork.