伦敦剧院红木屋/霍沃斯•汤普金斯建筑师事务所

发布于：2023-07-23 17:59:43

The shed at the national theater

设计方：霍沃斯•汤普金斯建筑师事务所

位置：英国伦敦

分类：文化建筑

内容：实景照片

图片：21张

时间：2013

这是由霍沃斯•汤普金斯建筑事务所的首席设计师帕蒂·狄龙设计的最新项目，位于伦敦南岸中心。这是一个色彩鲜明的临时表演用的“木屋”，位于废弃以久、颇具传统风格的伦敦国家大剧院广场。这个不断发展的艺术中心已被列入一个重建宏伟计划之中，也是由霍沃斯•汤普金斯建筑事务所来负责策划，但是到明年，有着同样鲜明色彩的姊妹艺术中心将会向人们呈现出一系列更加“新颖大胆、充满雄心、出乎意料”的新剧院，与这个艺术中心相配的则是一座色调浓烈的建筑。木屋面朝泰晤士河，因其规模和难以置信的红色外观而独具特色。一座钢骨架支撑着分层胶合板和绝缘盖板。为了与国家大剧院的模板纹图案的混凝土相得益彰，木屋外覆盖了一层涂了漆的、可回收的厚木板，从而延续了前者野兽派设计中精细的线条。四座烟囱状的建筑越过滑铁卢桥的栏杆张望着桥那边的景色，并利用烟囱效应（即建筑物内热气上升）的原理产生对流，从而实现内部的通风。木屋的设计意图在于呈现出全新的、更大胆的剧院建筑作品，并在这个具有高度柔韧性的、脐状的空间内以建筑学的形式表现出来。尽管国家大剧院属于历史保护建筑，但设计中在剧院现有的悬垂处用环保聚碳酸酯建造出一个半透明的咖啡馆，以此将宏伟的“木屋”与国家大剧院连在一起，并为木屋添置了一个入口和咖啡馆。木屋的首席设计师帕蒂·狄龙解释说，事物存在之短暂以及环保责任是这件设计的核心理念。与剧院顾问团体charcoalblue共同协作，木屋综合并体现了人们把建筑学当作重大事件来考量时的观点。这一形状还具有一个比较不易察觉的力量，那就是，它根本地抛掉了文化建筑必须永远存在下去的假想。

Paddy Dillon， lead architect at haworth tompkins， walked designboom through the firm's latest dynamic project in the southbank center. 'The shed' is a vibrant temporary performance space occupying a formerly unused plaza of London’s iconic national theater. The ever-burgeoning artistic hub is in the midst of a redesigned masterplan， also by haworth tompkins， but for the next year its vibrant cousin will present new works of theater that are more 'adventurous， ambitious and unexpected' with an intensely hued architecture to match. Facing the river Thames， the shed is characterized by its scale and incredible red skin. A steel frame skeleton braces layered plywood and insulation sheathing.Recalling the board-marked concrete of the national theater， the space is then clad in stained， recyclable wooden planks that continue the subtle lines of its brutalist counterpart. Four chimney-like structures peer over the parapet of Waterloo Bridge and use stack effect to passively ventilate the interior. The space is intended to present new， more daring works of theater， expressed architectonically in the perfectly flexible， umbilical space. While the national theater is a historically protected structure， a translucent low-impact polycarbonate cafe uses an existing overhang to link the edifice to the national theater and to create a luminal entrance space and cafe for the shed. Paddy Dillon， lead architect for the shed， explained that ephemera and environmental responsibility were at the heart of the project. Working in conjunction with theater consultants charcoalblue， the shed is the manifestation of joint view of architecture as event. The quieter power of the form lies in the underlying removal of a pretense that assumes cultural buildings must last forever.