法国Confluence博物馆/蓝天组

发布于：2023-07-23 17:25:28

confluence museum under construction

设计方：蓝天组

位置：法国里昂

分类：文化建筑

内容：设计方案

图片：30张

面积: 20，975平方米
实用面积: 46，476平方米净
场地面积: 29，700 平方米
年参观人数: 500，000

2001年获奖的合流博物馆位于法国里昂，由国际建筑事务所蓝天组设计，现正在建设之中，预计2014年完成。建筑汇集了叫做“云”的软质空间和“水晶”的硬质空间，与独特的地理位置——罗纳河和索恩河交汇处——相呼应。建筑为公共信息交流和通过数字和类似手段获得知识提供了一个富有活力的场所。博物馆是一个“意识研究、发现创造性质疑”的平台。参观者首先通过“水晶”来感受博物馆，这是有形、可量的入口结构。绘有直线的钢铁框架上有大玻璃板，从多个角度反射了周围环境，形成了一个清晰的角度网。作为一个面向城市的“透明都市平台”，水晶是外部世界和内部建筑之间的转换器。与其相对应的“云” 在形态上类似于一个被柱子抬高的体量，含有一连串的黑色不透明的盒子，不接收自然光，因此，这里是举行超过三层高的10场展览的理想之地。10个盒子中的7个留来用做暂时的展览，其他的3个则永久保持在一个不断变化的重要的信息平台上。云也包含行政办公室，漂浮在混凝土地基之上，后者把两个截然不同的元素同一个贯穿整个博物馆的连接空间联合起来。在两者之间，重力井浸在主大厅中作为一个支点，给结构逻辑带来一种激进的停顿，因为它表现为逆峰。

After winning a competition in 2001， the 'confluence museum' in lyon by international practice coop himmelb(l)au is under construction with an expected completion in 2014. The unique site location at the confluence of the rhône and saône rivers echoes the dichotomy through the architectural convergence of hard and soft spaces titled the 'cloud' and the 'crystal'. The project will provide a dynamic venue for the public interchange of information and the acquisition of knowledge through digital and analogical means. The museum is a platform for 'the research of consciousness， the discovery of creative questioning'.Visitors first experience the museum through their relationship to the 'crystal'， the entry structure that represents that which is tangible， measurable. Rectilinear contours are mapped in steel frames containing large glass panes that reflect that surrounding context at various angles， forming a clear angular mesh. Facing the city as a 'transparent urban forum'， the crystal is the translator between the outside world and the interior program. Its counterpart， the cloud is a morphologically similar volume that is elevated upon pillars and contains a sequence of black opaque boxes that accept no natural light and is therefore ideal for the 10 exhibition spaces organized over three levels. Seven of the ten are reserved for temporary exhibits， while the other three remain permanent， lending to the importance placed on a constantly changing fountain of information. Containing administrative offices as well， the cloud floats above the concrete foundation that unites both contrasting elements with a connecting space that weaves through the entire program serving the museological functions. In between the two， the gravity well dips into the main lobby as a pivot point giving a radical pause to the structural logic as it manifests itself into an inverse peak.