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瑞典Sjovik 广场

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Swedish Sjovik square

位置:瑞典

分类:广场

内容:实景照片

图片:5张



景观设计:Thorbjorn Andersson 与 Sweco Architects
景观面积:12000m2
景观时间:2010
图片来源:Thorbjorn Andersson 与 Sweco Architects

这是由Thorbjorn Andersson 与 Sweco Architects设计的瑞典斯德哥尔摩Sj?vik 广场。斯德哥尔摩是一座水城,该市是两座群岛相汇而成,一边是淡水湖Malaren,另一边是Baltic海。岛上山坡起伏不绝,这是瑞典首都特有的风景。
Sjovik 广场充分体现了这一特质,位于码头上。为了强调临水景观这一特性,该项目奠定了一个广场平面,倾斜3%。两个休闲草坪位于广场上方,周围是花岗岩边缘,可用于休息。在南面与外界地面齐平,方便无障碍通行。
该设计有35米的水景,一层薄水清清的覆盖在挪威鹅卵石板表面,艺艺术家Jan Svenungsson在此制作了环境雕塑。借用了日式的设计手段,利用框架,借助远方的风景,带入自己的花园。

译者: 温冷清秋

Stockholm is a city on the water. The city′s setting is where two archipelagoes meet, Lake Malaren with its fresh water on one side and the Baltic Sea with its salt water on the other, interspersed by a mosaic of hilly, convex islands. This is the essential quality of the Swedish capital.
Sjovik square makes use of this quality. The square is situated right on the quay. It opens up towards the water and thus includes the larger landscape in its design. To underscore this basic idea, the square is laid out as a flat plane which has then been tilted 3 % towards the view. Two recreational lawns furnish the upper part, outlined with a broad granite edge for seating. The lawns are horizontal and rise gradually from the ground plane, clarifying the plaza slope. At their south end they are flush to the ground, permitting disability access.

Two 100 meter long wooden boardwalk promenades frame the plaza and direct the view. They have a Y-shaped configuration, where the western leg steps down towards the water in series of sun terraces. The eastern leg is a pier which passes the quay edge by 40 meters, hovering over the water.
To balance the openness of the triangular square, an equally triangular grove of semi-transparent Gleditsia trees has been added at the western perimeter of the plaza. The grove transcends into a sunken garden, shadowed by cherry trees.
Included in the design is also a 35 meters wide water feature, with a thin layer of water rushing over a shingled surface of Norwegian slate, as well as an environmental sculpture by artist Jan Svenungsson. To borrow a distant landscape with the help of a framed view is a classic technique that the Japanese masters would use in their garden design. Sometimes the strongest feature of a site actually lies outside its borders.



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