北京天安门广场

发布于：2023-05-28 18:36:27

michal krejcik: the square of heavenly peace in beijing

位置：北京

分类：广场

内容：设计方案

图片：11张

景观设计：michal krejcik

这是由 michal krejcik设计的中国北京天安门广场设计。旨在振兴天安门广场，从而吸引更多样化的活动和人民。历史上，这里指中国古代重要的场所，只用在皇帝通过时，才被开放，象征着天地人和，也连接天地气数。
该设计采用几何景观山，中间的水如镜面，反射出天空的景色。周围的9座景观山，象徵中国神圣的9座大山上各自的4大佛教和5大道教，集合超自然之能量，维护中国的历史和传统。他们企图利用空灵之美，克服社会的政治限制的自由。周围石头雕塑内部是单独空间，可以容纳未来的各种事件。

译者：温冷清秋

the diploma project ‘to heaven through stone’ by michal krejcik at faculty of art and architecture liberec, in the czech republic aims to transform of the square of heavenly peace in beijing. the large piece of land is located the middle of the city and the work looks at how it could be revitalized to attract more diverse activities and people. historically it was the most important gateway in all of ancient china and symbolized the union of the earth and heaven. the famous gate was closed most of the time, only opening for ceremonies or when an emperor passed through.
geometric landscape of mountains surrounds the water surface as the mirror of the sky a strong, geometric landscape is portrayed in this proposal, and it features nine sacred mountains interpreted into large stones around a central water area. in chinese symbolism mountains stand between earth and heaven, they absorb humidity to make rivers rise out of them and are represented as the home of life. there are nine sacred ones in china that consist of four buddhist and five taoist, traditionally cherished and preserved as places that are homes of transcendent energies. also valued for their ethereal beauty, they represent an image of free existence that seeks to overcome social and political restrictions. acting as a screen, the sculptural stones provide a separate space away from the surrounding environment. the inner spaces are empty, ready to house various events.
image of the mountains standing along the perimeter of the square ‘their emptiness is a symbolic concept double meaning. first, emptiness reflects the condition in which china is now; country of empty forms. it appeals to pragmatic economic thinking which rules in china now. at the same time emptiness is also related to taoism and buddhism where only blissful emptiness and softness remains.’ says the designer.
the mountains are intended to become a place for various events, opportunities and birth of new life in this area the adaptation to this famous square creates new opportunities and life for the city center. these landscape elements are surrounded by a ‘golden encounter space’, a semi-open courtyard that functions as a foyer area. the place becomes one of interaction, it welcomes people in, changing the overall atmosphere of tiananmen square.