比利时亨克C-m!ne广场

发布于：2023-05-28 17:17:40

GENK C-m!ne by HOSPER Landscape Architecture and Urban Design

位置：比利时

分类：广场

内容：实景照片

图片：18张

壮观的广场
C-m!ne广场的基地以前是个煤矿厂区，而现在，C-m!ne广场已经成为亨克城的新文化中心。它是一个集文化、创意、设计和娱乐等多种功能为一体的城市广场。广场周围的建筑大多是采矿建筑，经过装修和改造成了文化活动空间、大型剧院、电影院、餐馆和亨克设计学院（设计学院为新建）。广场的设计与周围的建筑相融合，创造了许多有趣的空间，使广场成为一块壮观的场地，能够举行各种活动。
一个水平面
为了在广场上举办各种活动，一个无障碍的表面是保障这些活动的基本。在活动的时间里，大量的游客将把广场变的热闹非凡。当然，即使在活动的淡季，整个广场也将保持它本身的独特性。
建筑用砖
广场上铺满了大小不一的黑色石板，并组成了一个非正式的广场格局。黑色的石板是指“黑色黄金”，一种从煤矿中提取的材料。广场的整体形式非常壮丽，即使你在夜间也不可能忽略它，灯光照亮了广场周围的墙面以及旧的采矿塔。两座采矿塔也被赋予新的功能，在塔顶你可以有机会看到周围美丽的景色。
家具设计
广场上的特别座椅都是由Carmela Bogman与HOSPER合作设计，这些座椅被设计为方形，集中设置在广场上，这些椅子和凳子被摆放成一个非正式的“云”的模式，可以根据人们的不同需求来不同摆放，比如你不想和谁坐一起，或者想和谁背靠背坐着。椅子和凳子，都是由折叠的不锈钢板制成，这些家具的表面被涂成了消防车的红色。
C-m!ne广场是亨克市的文化中心，有足够的空间和场地来举办各种各样的活动。因此，对于场地内的座椅的要求，就是这些座椅应该是可移动的、易去除的。为此，每个座椅都是用螺栓固定，这样做的目的是不仅可以方便移动，而且能够不在场地上留下痕迹。

景观设计：HOSPER Landscape Architecture and Urban Design
景观面积：0.5公顷
景观时间：2012年
图片来源：HOSPER, Pieter Kers

译者：饭团小组

Space for the spectacular!
The C-M!ne square, situated on a former coalmining site, is the central open space of the new cultural centre of Genk. It will become an urban square with a cultural, creative, design and recreational function. Most of the buildings around the square are former mining buildings, renovated and transformed into buildings with a cultural program; a large theatre, a cinema, restaurants and the (newly built) design academy of Genk. The design of the square interacts with the surrounding buildings and will facilitate and create space for all sorts of spectacle. The square makes a spectacular open space; the events and activities planned on the square enhance the square as the cultural heart of Genk.
One level surface
The need to create opportunities for a wide range of activities on the square results in a “one level surface”. An obstacle-free surface ensures that the square can be used for a wide variety of purposes. Of course, at times of activities and a large numbers of visitors the square will be lively and marvellous. However, it will remain a very special square even when there are fewer visitors, no activities and the surrounding buildings are outside normal opening hours.
Building bricks
The square is paved with black slate slabs of different sizes and laid in an informal pattern. The black slate refers to the “black gold” from the mines and is the same material as the waste material from the mining activities that was placed on the terrins (cairns) around Genk. The paving includes lighting in the surface as well as the possibility for a water surface, the creation of mist just above the surface and removable seating. A great deal of attention is given to the night-time appearance of the square, with lighting illuminating the surrounding façades and the former mining shaft towers. The two shaft towers are both given a function on the square. The Belgian office Nu architectuuratelier designed an attractive route that follows the former mining corridors under the oldest shaft tower and the ruin of the former mining reception building and ends with a fantastic view on top of the youngest and tallest shaft tower.
Furniture
Special seating furniture was designed for the square by Carmela Bogman industrial design, in cooperation with HOSPER. The ‘single scatter’ street furniture is concentrated in a number of ‘clouds’ on the square, where the chairs and stools are arranged in an informal pattern. Different arrangements are thus possible for people who want to sit close together and for people who prefer to sit further apart, facing one another or with their backs to one another.
The chairs and stools, which are made of a folded stainless steel plate, glitter like diamonds against the black surface of the square. The internal and rear surfaces of the furniture are powder-coated in fire-engine red. The red surfaces of some of the chairs are lit from below, thus creating a warm glow around them at night.
C-m!ne is designed to be Genk’s cultural centre, with plenty of room and practically unlimited scope for all kinds of events and activities. One of the main requirements on the seating is therefore that it should be easily removable. To this end, each chair or stool is mounted with the aid of four bolts on a base, which is designed so as to blend into the rest of the surface of the square without leaving any differences in level over which people could trip when the seating has been removed.